Tiny Gallery x Van Vleck
The Biggest Tiny Art Show
August 7 - September 12
The Biggest Tiny Art Show is a collaborative, townwide celebration of experiencing art on a new scale. We invited artists of all levels, working in every medium, to take on one simple—but daring—challenge: make something small. Really small. Four inches and under small.
The result is a vibrant, joyful reminder of the creativity that lives all around us—and the magic that happens when we choose to lean in and look a little closer.
85 works are featured from over 45 artists from Essex, Hudson, and Bergen counties.
| Artist | Title | |
|---|---|---|
| 1 | Elizabeth Stotler | Happy Little Flowers |
| 2 | Divya Guruju | My Summer Garden |
| 3 | Marcy Dermansky | Backyard Flowers |
| 4 | Tracey Diamond | Nature's Whimsy in Light Blue |
| 5 | Marcy Dermansky | Tiny Daffodils 2 |
| 6 | Brezaja Hutcheson | Water Lillies |
| 7 | Marcy Dermansky | CatonaChair |
| 8 | Avani Pasala | Rajasthani Woman |
| 9 | Marcy Dermansky | Tiny Daffodils 1 |
| 10 | Kavya Pasala | The House on 46th |
| 11 | Divya Guruju | Waiting for Fall |
| 12 | Alex Kraus | Painted Bunting |
| 13 | Tracey Diamond | Nature’s Whimsy in Yellow |
| 14 | Marcy Dermansky | Little Zinnias 1 |
| 15 | Isabella Weffer | Growing Together |
| 16 | Marcy Demansky | Little Zinnias 2 |
| 17 | Tracey Diamond | Nature’s Whimsy in Orange |
| 18 | Marcy Demansky | Morning Table |
| 19 | Joshua Dantis | Just A Fly On The Wall: Fly 2 |
| 20 | Cecilia Rozario | Wisteria #1 |
| 21 | Cecilia Rozario | Dogwood #1 |
| 22 | Joshua Dantis | Just A Fly On The Wall : Fly 1 |
Prior shows
Maya Collado
Frame into Another World
Illustration, painting, and collage
There are stories we’re told, and then there are stories we somehow wander into. Frame into Another Word, Maya Collado’s collection of collage illustrations is the latter. The colors are vivid, almost stubborn in their insistence. The landscapes feel both lost and found. And the stories? They live in the quiet before the twist, in the breath before the leap, and trust the viewer to fill in the gaps—to imagine the rest, or to sit with the not-knowing. Lean in and feel the thrill of Collado’s narratives just before they break open.
